Tuesday, March 25, 2014

Who Is The Archetypal Renaissance Man?

By Darren Hartley


Among the Michelangelo paintings are two of the most influential works in fresco in Western art history. These are the scenes from Genesis on the Sistine chapel ceiling and the Last Judgment on the Sistine Chapel altar wall in Rome. These works are renowned inspite of Michelangelo's low opinion of painting.

Michelangelo di Lodovico Buonarroti Simon was an Italian Renaissance painter, sculptor, architect, poet and engineer. He is not only known for his Michelangelo paintings but also for two sculptures made before he turned thirty. These are the Pieta and the David.

Michelangelo also revolutionized classical architecture. He accomplished this by using plaster as the main ingredient when he designed the dome for St. Peter's Basilica. Like the Sistine chapel, this basilica can also be found in Rome.

Michelangelo is the best documented artist of the 16th century when the sheer volume of surviving correspondences, reminiscences, and Michelangelo paintings in the form of sketches are taken into account.

The title of the archetypal Renaissance man is referred for the individual whose continuous curiosity runs parallel with his inventive skills. Only two artists have been under consideration for this honor, Michelangelo and his fellow Italian and rival, Leonardo da Vinci. Michelangelo earned his berth for the title from his versatility in the disciplines of the highest order. This versatility Michelangelo was able to attain despite the low number of forays he made beyond the arts.

The Mona Lisa and the Last Supper are two Da Vinci paintings that occupy the unique positions of being the most famous, most reproduced and most parodied portrait and religious paintings of all time. Only the Creation of Adam, painted by his co-Italian and rival, Michelangelo has been able to approached the fame of these two Da Vinci paintings.

Leonardo di ser Piero da Vinci was an Italian polymath, having been a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer, one time or the other. However, it is primarily for his Da Vinci paintings that he was renowned for.

Other than his iconic Vitruvian Man drawing, only 15 Da Vinci paintings were able to survive the passing of the centuries. This phenomenon, though largely due to Leonardo's persistent and more often than not disastrous experimentation with new techniques, is also attributable to his chronic procrastination of his own accomplishments.

However, these few Da Vinci paintings comprise a contribution to later generations of artists, together with his notebooks, containing drawings, scientific diagrams and thoughts on the nature of painting. Again, this contribution is only rivalled by the corresponding contribution of his chief rival contemporary, Michelangelo.

The earlier Da Vinci paintings were products of an education in the studio of the renowned Florentine painter, Verrocchio.




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