Mary Cassatt paintings often documented the social interactions among well-to-do women like herself. The activities they depicted fall within the boundaries of normal routines for her sex and class. These activities include tea drinking, theatre going and children tending.
The early Mary Cassatt paintings were masterpiece copies. In 1868, one of these portraits was selected at the prestigious Paris Salon. Paris Salon was an annual art exhibition ran by the French government. The well-received painting was submitted under the name of Mary Stevenson.
Later on, Mary Cassatt paintings became artistic experimentations with its bright colors and unflattering accuracy of its subjects. They became famous for their portraits of women in everyday domestic settings, particularly of mothers with their children. They were unconventional in their direct and honest nature, in contrast to the Madonnas and cherubs of the Renaissance.
Andrew Wyeth paintings go against the grain, except for the early watercolors in Maine, which Andrew dismissed as being part of his blue sky period. They are an epoch of art history devoted to the abstract and the visually obtuse.
Throughout the 1920s, Andrew Wyeth paintings were drawn in a much slower pace, with greater attention given to detail and composition, and less emphasis on color. They were alternately done using two mediums, i.e., egg tempura and dry brush watercolour.
Occasional endeavors to share with the world, the underlying emotional and spiritual impulses felt by its artist are the Andrew Wyeth paintings. Their realism is tinted with a romantic nature. According to Andrew, the creative process has found a vital part in free, dreamlike and romantic associations. This quality in his work is a sure-fire guarantee that they will be remembered indelibly, if not fondly.
The early Mary Cassatt paintings were masterpiece copies. In 1868, one of these portraits was selected at the prestigious Paris Salon. Paris Salon was an annual art exhibition ran by the French government. The well-received painting was submitted under the name of Mary Stevenson.
Later on, Mary Cassatt paintings became artistic experimentations with its bright colors and unflattering accuracy of its subjects. They became famous for their portraits of women in everyday domestic settings, particularly of mothers with their children. They were unconventional in their direct and honest nature, in contrast to the Madonnas and cherubs of the Renaissance.
Andrew Wyeth paintings go against the grain, except for the early watercolors in Maine, which Andrew dismissed as being part of his blue sky period. They are an epoch of art history devoted to the abstract and the visually obtuse.
Throughout the 1920s, Andrew Wyeth paintings were drawn in a much slower pace, with greater attention given to detail and composition, and less emphasis on color. They were alternately done using two mediums, i.e., egg tempura and dry brush watercolour.
Occasional endeavors to share with the world, the underlying emotional and spiritual impulses felt by its artist are the Andrew Wyeth paintings. Their realism is tinted with a romantic nature. According to Andrew, the creative process has found a vital part in free, dreamlike and romantic associations. This quality in his work is a sure-fire guarantee that they will be remembered indelibly, if not fondly.
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