Photos that rely on shadow, shape, texture, contrast, and tone to the exclusion of color always seem dramatic and compelling. If you are a fan of monochrome, you have probably wondered how artists like Alfred Stieglitz and Ansel Adams manage to capture images that seem deceptively simple. Minimalist black and white photography is an art form many attempt, but few find a way to master. There are basic techniques to learn in order to get started.
If you're serious about trying this, you will have to learn to ignore color. You teach yourself this in a couple of ways. There are monochrome viewing filters you can buy for your camera. You can also go out and buy some inexpensive sunglasses that have dark gray lenses. Monochrome will work with almost any subject matter that interests you, people, cityscapes, landscapes, or still lifes.
Composition is one of the first subject instructors teach art students. Good composition is very important, whether you are working in black and white or color. You should be aware though, that composition in monochrome and in color are not interchangeable.
One of the foundation stones of good monochrome picture taking is tone. It is not exactly the same as contrast, but similar. When you shoot a cityscape that has lots of vibrant color for example, the vibrancy of those colors may not translate when the same scene is shot in monochrome. They may just become a mass of different grays. You can alter the tone with the use of filters. You can also change the lighting. If you change the light, you'll create instant shadows and highlights.
You must be aware of shadows. Shadows are powerful tools in your arsenal when you are creating minimalist art. The stronger your shadows the higher the possibility you have of taking a good picture. It is just a fact that people are drawn to shadows. Not all shadows are black and empty of shape. You should consider how shadow, and what's contained in the shadows, will affect the observer.
There are shapes in shadows, but it's contrast that creates them. Shadows can be the element that defines your photos. Shapes are the objects the human brain uses to define and recognize its surroundings. One of the ways we identify objects is by the way they are shaped. Working in monochrome makes it even more important to look for shapes, and how they work with contrast and tone.
Light and shadow can create texture. When eliminating texture in order to create a flat surface effect, your photo will become more abstract than if you had chosen to include it. Texture can be emphasized with the lowering of your light source's level. The light will create highlights and shadows. This in turn reveals texture.
Eliminating color can be risky. Color serves as a crutch sometimes for those unsure of their technique. Artistry is more readily revealed when you strip away the color.
If you're serious about trying this, you will have to learn to ignore color. You teach yourself this in a couple of ways. There are monochrome viewing filters you can buy for your camera. You can also go out and buy some inexpensive sunglasses that have dark gray lenses. Monochrome will work with almost any subject matter that interests you, people, cityscapes, landscapes, or still lifes.
Composition is one of the first subject instructors teach art students. Good composition is very important, whether you are working in black and white or color. You should be aware though, that composition in monochrome and in color are not interchangeable.
One of the foundation stones of good monochrome picture taking is tone. It is not exactly the same as contrast, but similar. When you shoot a cityscape that has lots of vibrant color for example, the vibrancy of those colors may not translate when the same scene is shot in monochrome. They may just become a mass of different grays. You can alter the tone with the use of filters. You can also change the lighting. If you change the light, you'll create instant shadows and highlights.
You must be aware of shadows. Shadows are powerful tools in your arsenal when you are creating minimalist art. The stronger your shadows the higher the possibility you have of taking a good picture. It is just a fact that people are drawn to shadows. Not all shadows are black and empty of shape. You should consider how shadow, and what's contained in the shadows, will affect the observer.
There are shapes in shadows, but it's contrast that creates them. Shadows can be the element that defines your photos. Shapes are the objects the human brain uses to define and recognize its surroundings. One of the ways we identify objects is by the way they are shaped. Working in monochrome makes it even more important to look for shapes, and how they work with contrast and tone.
Light and shadow can create texture. When eliminating texture in order to create a flat surface effect, your photo will become more abstract than if you had chosen to include it. Texture can be emphasized with the lowering of your light source's level. The light will create highlights and shadows. This in turn reveals texture.
Eliminating color can be risky. Color serves as a crutch sometimes for those unsure of their technique. Artistry is more readily revealed when you strip away the color.
About the Author:
See the exhibitions of the very talented minimalist black and white photography expert online. To get instant access to the website, here is the link http://www.kieranwalshgallery.com/about.
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