Frida Kahlo paintings are best remembered for their pain and passion and their intense, vibrant colors. They are celebrated as emblematic of national and indigenous tradition by the Mexicans and for their uncompromising depiction of the female experience and form by feminists.
Categorized as Naive art or folk art, Frida Kahlo paintings feature Mexican culture and Amerindian cultural tradition prominently. They are also described as surrealist. In 1938, Frida was described as being a ribbon around a bomb by a bonafide surrealist artist.
The lifelong health problems of Frida are reflected in her works. Half of the Frida Kahlo paintings are self portraits of one sort or another. Because she is often alone and because she is one subject she knows best, Frida prefers to feature herself in her paintings. According to Frida, she was born a bitch and a painter.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Showing little interest in plein air landscapes, Degas paintings, instead, featured theatre and cafe scenes illuminated by artificial light. Edgar used this light to clarify the contours of his figures, completely adhering to his academic training.
Recognizing the artistic gifts of his son, Edgar's father took him frequently to Paris museums in an effort to encourage his efforts at drawing. Copies of Italian renaissance paintings at the Louvre consisted the early Degas paintings.
Edgar's training in the traditional academic style started in the studio of Louis Lamothe, with emphasis on line and insistence on the crucial importance of draftsmanship. Degas paintings were also strongly influenced by paintings and frescoes seen during long Italian trips in the late 1850s, when Edgar made many sketches and drawings of these paintings and frescoes in his personal notebooks.
Categorized as Naive art or folk art, Frida Kahlo paintings feature Mexican culture and Amerindian cultural tradition prominently. They are also described as surrealist. In 1938, Frida was described as being a ribbon around a bomb by a bonafide surrealist artist.
The lifelong health problems of Frida are reflected in her works. Half of the Frida Kahlo paintings are self portraits of one sort or another. Because she is often alone and because she is one subject she knows best, Frida prefers to feature herself in her paintings. According to Frida, she was born a bitch and a painter.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Showing little interest in plein air landscapes, Degas paintings, instead, featured theatre and cafe scenes illuminated by artificial light. Edgar used this light to clarify the contours of his figures, completely adhering to his academic training.
Recognizing the artistic gifts of his son, Edgar's father took him frequently to Paris museums in an effort to encourage his efforts at drawing. Copies of Italian renaissance paintings at the Louvre consisted the early Degas paintings.
Edgar's training in the traditional academic style started in the studio of Louis Lamothe, with emphasis on line and insistence on the crucial importance of draftsmanship. Degas paintings were also strongly influenced by paintings and frescoes seen during long Italian trips in the late 1850s, when Edgar made many sketches and drawings of these paintings and frescoes in his personal notebooks.
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